ArtReview - Summer 2022 (2024)

ArtReview - Summer 2022 (1)


English 0 Beoordelingen &nbsp&nbsp•&nbsp&nbspEnglish &nbsp&nbsp•&nbsp&nbsp (Art)

ArtReview - Summer 2022 (2)


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In ArtReview’s extended Summer issue, a focus on what the audience brings to the art. In the conceptual photography of Buck Ellison, images seemingly snapped from within the intimacy of wealthy households are rich in details with the power to repel, attract and implicate the viewer. In Richard Bosman’s atmospheric paintings of blind detectives and rainy city streets, a fellow painter sees not the storyboards of an American film noir but the depiction of what it feels like to be an artist. And a profile of Masaaki Yuasa highlights the anime director’s gonzo sensibility when it comes to toying with audience expectations and artistic conventions. Elsewhere in features, an essay examining the state of critical ocean studies; a look into the effect of NFTs on visual culture; an analysis of Katia Kameli’s videowork Le Roman algérien; and an interview with FRONT International Triennial artistic director Prem Krishnamurthy. Plus exhibition reviews of Virginia Overton, Carrie Mae Weems and Fiona Connor.

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ArtReview

Summer 2022 In ArtReview’s extended Summer issue, a focus on what the audience brings to the art. In the conceptual photography of Buck Ellison, images seemingly snapped from within the intimacy of wealthy households are rich in details with the power to repel, attract and implicate the viewer. In Richard Bosman’s atmospheric paintings of blind detectives and rainy city streets, a fellow painter sees not the storyboards of an American film noir but the depiction of what it feels like to be an artist. And a profile of Masaaki Yuasa highlights the anime director’s gonzo sensibility when it comes to toying with audience expectations and artistic conventions. Elsewhere in features, an essay examining the state of critical ocean studies; a look into the effect of NFTs on visual culture; an analysis of Katia Kameli’s videowork Le Roman algérien; and an interview with FRONT International Triennial artistic director Prem Krishnamurthy. Plus exhibition reviews of Virginia Overton, Carrie Mae Weems and Fiona Connor.

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ArtReview - Summer 2022 (12)

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In ArtReview’s extended Summer issue, a focus on what the audience brings to the art. In the conceptual photography of Buck Ellison, images seemingly snapped from within the intimacy of wealthy households are rich in details with the power to repel, attract and implicate the viewer. In Richard Bosman’s atmospheric paintings of blind detectives and rainy city streets, a fellow painter sees not the storyboards of an American film noir but the depiction of what it feels like to be an artist. And a profile of Masaaki Yuasa highlights the anime director’s gonzo sensibility when it comes to toying with audience expectations and artistic conventions. Elsewhere in features, an essay examining the state of critical ocean studies; a look into the effect of NFTs on visual culture; an analysis of Katia Kameli’s videowork Le Roman algérien; and an interview with FRONT International Triennial artistic director Prem Krishnamurthy. Plus exhibition reviews of Virginia Overton, Carrie Mae Weems and Fiona Connor.

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Proud to be sat on the head table of leading international contemporary art magazines worldwide - ArtReview offers a comprehensive guide to the fascinating world of modern art. Giving both established and up-and-coming artists a platform to be seen and heard, ArtReview welcomes all to its educational and eye-opening publication nine times a year.

Each exciting issue features interviews with amazing artists, event and exhibition details, articles from respected art journalists, and a look into the trends and topics that are front and centre of the current contemporary art scene. Providing perspective to the personalities that are making the modern landscape their own, ArtReview brushes shoulders with all kinds of artists and helps you better appreciate them, their art, and the meaning behind their fascinating work.

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FAQs

ArtReview - Summer 2022? ›

ArtReview Summer's cover features a woman in a bright floral dress speaking into a phone, appearing concerned, perhaps addressing something urgent. Does it change the image to know that it depicts a younger version of Betsy DeVos, the conservative billionaire who served as Trump's education secretary?

How do you write a review for an exhibition? ›

Your review must include:

A description of the works of art that comprise the exhibition and an account of their layout within the exhibition space. An analysis of the thesis or central argument of the exhibition. What contribution did the curator(s) hope the exhibition would make?

What is a gallery review? ›

Art exhibition reviews provide a description and critical analysis of an art exhibit. This helps visitors know what to expect from the exhibit and gives feedback to the artist.

What does the term white cube mean? ›

Refers to a certain gallery aesthetic characterised by its square or oblong shape, white walls and a light source usually from the ceiling.

What should be included in an art review? ›

PHYSICAL QUALITIES: Material, colour, shape, texture, size, etc. FORM: The relationship of the different parts of this thing (use prepositional phrases such as inside, under, on top of, to the left of, etc.) CONTENT: Some works are clear in what they depict, represent, narrate, argue, convey etc.

What are the elements of arts review? ›

Lesson Summary

The seven elements of art are line, shape, space, value, form, texture, and color.

How long should an exhibition review be? ›

Most editors specify a word count so that helps in formulating a structure. Reviews tend not to be more than 300 –700 words long. If I am writing a 300 word review, the first 100 words would introduce the artist, the work and establish a context.

What is an exhibition review? ›

Like other kinds of reviews, exhibition reviews are designed to help readers understand the value or importance of a particular exhibition according to specific criteria that the reviewer uses to evaluate it. Some readers will use this information to determine whether to attend an exhibition.

How do you critique a museum exhibition? ›

These methods include feedback surveys, interviews, observations, participant feedback and ethnographic field notes. The focus of the evaluation is to explore the impact of the exhibition on a range of different audiences including children and young people, general visitors and targeted outreach groups.

Is white cube free? ›

Great space. Free entry. Have seen several exhibitions here all well curated. Most recent is Anthony Gormley.

Who started White Cube Gallery? ›

Established in London in 1993 by founder Jay Jopling, the first decade of the gallery's wide-ranging programme was unique in the fact that no artist was ever shown more than once.

What is the ideology of the white cube? ›

The white cube was a transitional device that attempted to bleach out the past and at the same time control the future by appealing to supposedly transcendental modes of presence and power. But the problem with transcendental principles is that by definition they speak of another world, not this one.

What is the purpose of an art review? ›

Its purpose is to help the critic or others understand the value of a work of art. Art criticism is inevitably subjective since it involves the art critic's own interpretation, but it also draws on shared principles in the form of history or aesthetics, or a theory.

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